pnArt

Drawing down the moon is an exercise always fraught.  Urban sophisticates in city parks with their schematic designs never know how close to the other world they may tread on spring evenings when the rumble of thunder and the strike of lightning are all it takes to awaken the sleeping spirit in the art.

My wife and I arrived at Harmony Park shortly before 8 this evening.  The Revolving Museum in Lowell Massachusetts had advertised a “Full Moon Celebration” in the “Harmonic Center of the Universe”, which this evening was located in this old industrial city northwest of Boston.  Food, music, and a 30-foot lighted sculpture by artists Chris Harvey, Olivia Robinson, and Jesse Stiles were on offer.

When we arrived we saw a softly glowing orb elevated on a tripod in a small urban park.  Below it the acolytes and supplicants, worshipers and mere visitors quietly milled about.   There was conversation and laughter, and food for sale at tables set up nearby.  A chorus was about to take the stage in a corner of the park.

But something was wrong.  A drop of rain on my cheek.   A flash of light in the sky.  A boom of thunder – and then another.    The chorus stood on stage.  They sang briefly.  This was just the magic the elements had been waiting for.   The deluge was instant.  The air itself became water – everyone ran for the nearest cover; food vendors desperately tried to protect their wares, umbrellas popped open and were quickly caught by the wind; shouts mingled with thunder and the roar of pelting raindrops -  my wife and I found shelter in an apartment doorway with a dozen other refugees -  looking around the park we saw under every tree and in every doorway huddled masses yearning to be dry.

And then it happened.   The orb came to life.   Some animus, some libido, some creature spirit had been awakened by the tempest.    The soft glowing electric lights that illuminated it before had been dashed to blackness by the storm, but now something new, or perhaps very old, was energizing it.  The orb rose and changed shape; it thrashed and tore at its tethers, it became a beast, a tentacled creature, some sort of jellyfish or octopus at home in this suddenly aquatic world that had driven away the humans.

It roared and danced and postured and threatened us from atop its tripod, trying to break free while sodden knots of people cowered under their trees or in their tiny alcoves.

After some time of this the violence of  the storm gave way to a light rain.   We emerged from our shelter to bid goodbye to some of the others before heading to our car.    As we did we glanced at the creature on the tripod.  It was limp now, but every so often we saw a ripple or a gesture to remind us that it wasn’t dead -  only resting.

(Orb schematic copyright Revolving Museum and respective artists; storm image copyright Peter Nelson)

It’s been preternaturally warm this fall.    Today is in the 80’s and at my house we haven’t seen any temperature below 40F.

“Preternaturally warm” is one of those hackneyed quasi-literary phrases that’s supposed to mark me as an educated writer, and inform you that you’re reading something of substance.  More often it just signifies that the author has spent too much time with genre horror fiction.

But I like “preternaturally”.  It’s derived from the Latin -  “praeter naturam“ meaning “beyond or exceeding natural”, and it comes from a respectable family:  in theological law, especially among Catholic scholars, “praeter” finds several other uses.

Praeter intentionem - “outside the moral intention” - doing something harmful in the course of doing something morally neutral or good.

Praeter legem - outside the law  - not regulated or specified by the law  (not to be confused with contra legem - “against the law”)

Praeter ordinem - outside the normal order of things.

As a gardener I’ve watched the growing season grow over the last 40 years.   I can reliably plant crops now that would have died of frostbite before yielding any fruit when I was a teenager.   Yet I have far less time in the fall and winter to work on my fences and terraces and chop trees in my woods without worrying about ticks, because we have such a late freeze and early thaw.

Watching this trend over decades of gardening convinces me that this is not just Al Gore blowing hot air.   Studies at UMass and UNH confirm my personal observations that this is a real warming pattern and not some brief meterological condition.  When I was born the atmosphere had 300 ppm of carbon dioxide; in Ben Franklin’s time it had 276 ppm; today it has 385 ppm and the best scientific evidence points to man’s role in this.   So is it  praeter intentionem,  praeter legem, or praeter ordinem?  Or is it all three?

I cooked several gallons of butternut squash soup this weekend.   Some was consumed by musicians visiting us and most of the rest was frozen for future lunches.   On Saturday the AMC Mountains and Music committee descended on our house to throw a party honoring my wife who just finished her tenure as committee chair.  They brought all the food, drink, and desserts, and even supplied real dishes, glasses and silverware.   My wife is a little embarrassed at the attention but I enjoy any opportunity to party with musicians.

I’m in Rock City – that’s Rock City the bookstore and café, in Rockland Maine. Last year it was called the Second Read, but nothing else has changed. It’s still the classic used bookstore and coffeehouse with little tables upfront where all the local bohemians and a few out-of-state ones such as yours truly, sit and write, sipping fair traded Nicaraguan coffee and espresso and munching cakes and pies and brownies. Latter-day Hemingways prefer caffeine and a sugar high to wine, and laptops to pen and paper, but little else has changed. Glancing around at people’s LCD screens I can see the four line stanzas and double-spaced text that reveals poems and stories in progress.

My own project is postcard poetry. I’ve signed up to write poems on postcards – one a week – and to send each poem to someone on a list of other poets sharing this project. There are over a hundred of us signed up.

I first heard about this from Brent Allard, the exalted leader of Poets Unbound, my poetry group in Nashua. Brent had the inspiration of making his own postcards from photos he took. I take photos – see some at my other website, pnArt.com. So I’ve gathered together a selection of photos that I think will work as 4×6 postcards, and don’t have so much nudity that I’ll get arrested by the Postal authorities.

This is fun but lately I’ve wondered if I should be aiming higher. One of our friends just won a MacArthur “genius” grant for his work in helping veterans overcome the trauma of war. There’s nothing like this to make you ask yourself what the hell you’ve been doing with your life.

And why am I in Maine, just now? My wife is attending a chamber music workshop sponsored by the Bay Area Chamber Concerts in Rockport, and I’m tagging along. They spend the day getting coached and practicing and I sit at Rock City, writing, or visiting galleries and museums along the coast. In the evenings I socialize with them. I love hanging out with the chamber musicians. I remain convinced that there is no better company – no category or class of people more convivial, stimulating, interesting, and just plain nice, than chamber musicians. I have no idea why this seems to be true. Does it have something to do with so many of them being doctors? Like so many other chamber music gatherings, this weekend’s workshop could pass as an AMA convention. (and by the way, the McArthur genius mentioned above is usually part of this crowd, and he’s a doctor!)